Oceana Madrone and Tom KingshillFeatured Artists for September 2018 Trinidad Art Night Reception: Friday, September 7th, 6 p.m. - 9 p.m. Wine will be poured by Camp Winnarainbow. Music by J.D. Jeffries Band and Celtic harpist Howdy Emerson. ![]() Oceana Madrone’s work directly and honestly reflects the emotional and meaningful aspects of life with an emphasis on healing through the beauty and joy of art. This season she is especially excited about beads, their colors, textures, sizes, shapes and sparkle. She finds herself adding them to every one of her fantastic creations, sewn to quilts, dolls, jewelry, dream catchers, and wound around boxes, bottles, driftwood, and more. Madrone started her first adventure with beads at the age of twelve, with her first bead loom and two pounds of beads. That is a lot of beads for a twelve-year-old! ![]() In her own words, "My art is a mirror of my life. It reflects who I’ve been, who I am and who I hope to become. My art is my effort to create order out of chaos and to transform pain and survival into strength and beauty. Art doesn’t make the hard things in life go away. It does help me to find joy and continue on my path of healing and discovery. I love the color, textures, and sparkle of fabric and beads. I create images of beauty and magic. Life is a magical gift. There is beauty all around us if we take the time to see it and appreciate it." ![]() Tom Kingshill is a local woodworker inspired by the great variety of wood in our surrounding landscape. He uses foraged sections of local trees and with a lathe creates decorative vessels for the home. He specializes in natural-edge bowls. These vessels challenge the artist to practice a fine-tuned discernment of formal qualities of design while leaving the edge of the piece wild. The elements of smooth, machine-like precision and natural, raw undulations of the untamed surface of a tree come together to form an utterly unique bowl. ![]() Born into a family of carpenters, Kingshill learned at an early age the woodworking techniques he has spent his life exploring. His biggest challenge is finding the wood he needs to create his art. As he says, "There is always the fear that someday there won't be beautiful burls to work with. The joy of wood turning is finding a redwood burl and discover the beauty as I turn. The bowls you see in these pictures are second-growth redwood burl, a growth on the outside of the tree, somewhat like a wart. The grain is going in all different directions so you have no idea of the beauty of what you have until you are done."
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